Interview: Orchestrating A Win

What were your main passions while you were at Alleyn’s School?

There was a time when I wanted to pursue dentistry, hence choosing Biology and Chemistry alongside Music A-level. My interest in a medical career didn’t exceed my passion for the arts though, or for music in particular. Throughout school, I immersed myself in musical co-curricular activities; I was a member of ensembles both internally and externally, participating in various after-school clubs, such as Symphony Orchestra, Chamber Choir and Jazz Band. This was all whilst attending the Royal College of Music Junior Department on aSaturday, where I played both flute and saxophone.

How did going to Alleyn’s affect your music?

Before then, I had been playing flute for four years and saxophone for two, reaching a high grade. However, my ensemble experience was limited to the National Children’s Orchestra of Great Britain, my local music service and my primary school band. I hadn’t had a chance to experience different genres other than classical music, nor had I had many performance opportunities.

In what ways did your school support you?

The Alleyn’s Music department enabled me to take part in many ensembles on both instruments. There were also performance opportunities, including recitals and competitions, and I often played at events such as Founder’s Day.

What path did you take after finishing school?

Initially I had planned to apply to a UK Conservatoire but decided I didn’t want to choose only one instrument to study full-time. The Royal College of Music is not only ranked the Global No. 1 for Performing Arts but it is one of few conservatoires where it is possible to study two different specialisms, both at equal intensity, and I seized the opportunity to become a Joint Principal Study (JPS) full Royal College of Music Scholar.

Where are you now?

In the second year of my Master of Performance degree, studying the flute at the Royal College of Music. I am also the current flute chair-holder of the National Youth Jazz Orchestra – a real privilege.

What has surprised you?

Not everything is related to your qualifications and musical background. Being personable and a pleasure to work with are almost more important. A strong social media presence helps as employers may reach out to you via Instagram or through your website.

What have been some of your greatest achievements so far?

I divide my musical achievements into publicity and performance. In terms of performance, I’ve been fortunate enough recently to be playing alongside six times BRIT Awards winner, RAYE, with more than a dozen gigs across the world and at major festivals. Currently, I am playing flute, saxophone and clarinet with the Royal Shakespeare Company for their production of Pericles (until December).

My most amazing publicity achievement to date has to be being selected as a Professional Member of the GRAMMY Recording Academy’s Class of 2024. I was also grateful to be featured in Vogue last year alongside the Chineke. Orchestra with Jorja Smith and Griff.

Have you had the opportunity to return to your school since graduating?

A few times. Once, to visit the Music Department on a concert day with the National Youth Jazz Orchestra and another off-site, to watch The Orchestral and Choral Concert at Southwark Cathedral.

What advice would you give to others?

Seize every opportunity you get, in any field. All concerts and chances to play may lead to another and you never know who may be listening. Also, get as much feedback and positive criticism as you can, study your craft and strive to be the best you can be!